Monthly Archives: February 2010

On the intellectual property interests of the indigenous peoples of Turkey and Iraq

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Filed under Academia

Hannibal Travis, Assistant Professor of Law at Florida International University, has posted a new paper on SSRN that looks fascinating. The paper addresses the plight of indigenous peoples in Iraq and Turkey and suggests four reforms to remedy the “violations of indigenous people’s rights”:

The U.N. Declaration on the Rights of Indigenous Peoples requires states to provide an effective remedy to indigenous peoples deprived of their cultural, religious, or intellectual property (IP) without their free, prior and informed consent. The Declaration could prove to be important safeguard for the indigenous peoples of Iraq and Turkey, the victims for centuries of massacres, assaults on their religious and cultural sites, theft and deterioration of their lands and cultural objects, and forced assimilation. These peoples, among them the Armenians, Assyrians, Greeks, and Yezidis of Turkey and Turkish-occupied Cyprus, and the Armenians, Assyrians, Yezidis, and Mandaeans of Iraq, have lost more than two-thirds of their peak populations, most of their cultural and religious sites, and thousands of priceless artifacts and specimens of visual art.

The European Union has probed these violations of indigenous people’s rights as part of the process of bringing Turkish laws and policies into compliance with European human rights standards. The United States has investigated violations of the rights of Iraq’s indigenous peoples in reports issued by the various executive agencies and legislative committees.

My paper will summarize the results of these inquiries, and propose four reforms. First, restitution or compensation should be implemented for the widespread destruction of indigenous peoples’ cultural and intellectual properties by previous Turkish and Iraqi regimes. Second, efforts to promote the security of indigenous peoples’ surviving intellectual and cultural patrimony must be adopted. Third, transnational corporations and other large enterprises such as museums and publishers should respect the rights of indigenous people to protect, access, and use their cultural and intellectual property held outside of Turkey and Iraq. Fourth, policies within Turkey and Iraq that restrict the preservation and transmission of indigenous cultural and intellectual manifestations must be reformed or abolished.

International Copyright Representation

TRO denied in dispute between developer and architectural firm

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Filed under Architectural Design, Preliminary Injunction

Wereldhave USA-San Antonio, L.P. v. Peter Fillat Architects, Inc., 2010 WL 419388 (D. Md. 2009)

The owner and developer of a $400 million multiphase project, currently being constructed (or not constructed) in San Antonio, engaged an architectural firm to provide designs for a portion of the project. The firm provided a proposal for five different sections, each of which contained language that stated that the parties would, after approval, enter into the standard American Institute of Architect’s agreement. Of the five proposals, however, only two were executed. And the two proposals that were executed contained notations replacing the standard AIA agreement with a “mutually acceptable agreement.”

According to the plaintiff developer, it paid the architectural firm over 2.7 million dollars for its services. Things went sour. The developer claimed the architectural firm was late in submitting designs; the architecture firm claimed its tardiness was due to the late submission of essential documentation by the developer.

The architectural firm refused to provide the developer access to the designs, claiming that it was owed $491,000 for its services. The developer claimed that it offered to place the money for the counter-claim into escrow pending final decision by the Court — but that the offer was rejected by the architectural firm.

The developer filed a breach of contract action against the architectural firm seeking, among other things, $2 million in damages and a declaratory and injunctive relief that the the architectural firm must provide access to the designs, and that it had a license to build the development from its designs. The developer claimed that the entire construction project would be delayed, if not shut down, without the plans.

Non-exclusive implied license

The question of whether the architectural firm granted the developer a non-exclusive license to use its copyright in the architectural designs formed a backdrop to the case. Even if the developer were to obtain a copy of the designs, it would not be able to start building without committing copyright infringement unless the Court were to find that it was granted an implied non-exclusive license.  The architectural firm argued that it did not intend to grant an implied license that would permit the developer to use the designs after it was no longer involved in the construction. The firm used Nelson-Salabes v. Morningside Dev., LLC, 284 F.3d 505, 516 (4th Cir.2002) as precedent:

(explaining that implied nonexclusive license exits where (1) the parties engaged “in a short-term discreet transaction as opposed to an ongoing relationship”; (2) the architect used a written contract, such as a standard AIA, which provides that the copyrighted materials could not be used without the architect’s involvement in project or without express permission; and (3) the parties conduct “during the creation or delivery of the copyrighted materials” shows that the parties permitted continued use of the materials after the architect was no longer involved and without his consent).

The TRO

The Court noted that both parties made compelling arguments about the breach of contract and implied license arguments, and that it did not have a developed record that would allow it to grant a TRO. The Court, however, made it clear that it’s denial of a TRO should not be read as predictive of a denial of a preliminary injunction.

architecture copyright attorneys

Bombay High Court: Authority to grant compulsory licenses exclusively vested with Copyright Board

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Filed under Compulsory License, Copyright Royalty Board, India, Music, Royalty Collection Societies, Sound Recordings

Music Choice India Private Limited v. Phonographic Performance Limited, Appeal No. 150 of 2009 in Suit No. 2124 of 2007 (High Court at Bombay 2010)

Music Choice India wanted to launch a 24 hour music channel in India that would only play music and static graphics. The broadcaster entered into negotiations with Phonographic Performance, a royalty collection society, for the necessary rights. The negotiations stalled (with Music Choice offering 4-7% of prorated net profits and Phonographic Performance demanding 50% of end user price), and in March 2007 Music Choice filed an application for a compulsory license under section 31(1)(b) of the Indian Copyright Act to the Copyright Board at New Dehli.

It can take over two years for the Copyright Board to rule on an application. So in August 2007, Music Choice also filed suit in a trial court in Bombay seeking, inter alia, a declaratory judgment that it had a license to begin broadcasting immediately on the condition that it pay the compulsory royalty rate set by the Copyright Board, when the Board was able to rule on its application; or in the alternative, that the Court allow for it to pay the 4-7% of prorated net profits it proposed in negotiations or another amount set by the court until the Board had a chance to rule on its application. The trial court dismissed for lack of jurisdiction.

On appeal, the Bombay High Court affirmed, holding that the district court did not have jurisdiction to hear the suit. The High Court found that, although it could hear appeals from the Copyright Board on compulsory license applications, it did not have jurisdiction to hear a similar suit brought from a Bombay trial court. Section 9 of the Code of Civil Procedure states that “[c]ourts shall have jurisdiction to try all suits of civil nature excepting suits of which cognizance is either expressly or impliedly barred.” The Bombay High Court found that the legislation enabling the compulsory licensing regime was a special statute and a self-sufficient piece of legislation, which barred general civil trial courts from hearing applications.

(h/t Prashant Reddy at Spicy IP)

International Copyright Representation

DOJ Amicus in Google Books: Despite substantial progress, substantial issues remain

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Filed under Google Books Settlement

On Thursday, the Department of Justice filed an amicus brief in the Google Books Settlement litigation arguing against the adoption of the proposed amended settlement agreement. The brief recognized the promise of the proposal and the substantial progress made from the original settlement proposal, but noted that antitrust concerns remain:

As the United States noted in its September 18, 2009 Statement of Interest (D.E. 720) (“U.S. SOI”), widespread lawful electronic distribution and use of copyrighted works, including in-print, out-of-print, and so-called “orphan” works, holds vast promise. Breathing life into millions of works that are now effectively dormant, allowing users to search the text of millions of books at no cost, creating a rights registry, and enhancing the accessibility of such works for the disabled and others are all worthy objectives.

It was with those objectives in mind that the United States encouraged discussions among the parties regarding possible modifications of the original Proposed Settlement (“Proposed Settlement” or “PS”) to address the many concerns raised by various commenters and the United States. In response, the parties made a number of substantial changes to the Proposed Settlement. For example, the ASA: eliminates the open-ended provisions that would have conveyed to Google the rights to engage in unspecified future uses of the works covered by the ASA (compare PS § 4.7 with ASA § 4.7); calls for an Unclaimed Works Fiduciary (“Fiduciary” or “UWF”) subject to court approval to protect owners of unclaimed works (ASA § 6.2(b)(iii)); provides that, after five years, 25 percent of unclaimed funds from unclaimed works may be used to locate the respective rightsholders (rather than be redistributed to other members of the Book Rights Registry) (ASA § 6.3(a)(i)(2)); reduces the number of foreign works in the settlement class (compare PS § 1.19 with ASA § 1.19); and eliminates the most-favored-nation provision (PS § 3.8(a)) that would have guaranteed Google optimal license terms into the future.

Despite this substantial progress, substantial issues remain. Although the United States believes the parties have approached this effort in good faith and the ASA is more circumscribed in its sweep than the original Proposed Settlement, the ASA suffers from the same core problem as the original agreement: it is an attempt to use the class action mechanism to implement forward-looking business arrangements that go far beyond the dispute before the Court in this litigation. As a consequence, the ASA purports to grant legal rights that are difficult to square with the core principle of the Copyright Act that copyright owners generally control whether and how to exploit their works during the term of copyright. Those rights, in turn, confer significant and possibly anticompetitive advantages on a single entity – Google. Under the ASA as proposed, Google would remain the only competitor in the digital marketplace with the rights to distribute and otherwise exploit a vast array of works in multiple formats. Google also would have the exclusive ability to exploit unclaimed works (including so-called “orphan works”) without risk of liability. The ASA’s pricing mechanisms, though in some respects much improved, also continue to raise antitrust concerns.

The DOJ brief also listed eight steps it “recommended” to mitigate the risks to rightsholders of out-of-print, unclaimed, and orphan works, if the Court were to find, contrary to its opinion, that the settlement was consistent with the Court’s Rule 23 authority:

  1. Use an opt-in regime for the forward-looking aspects of the settlement
  2. Create a meaningful waiting period before Google may commercially exploit out-of-print works without the permission of the rightsholder (e.g., two years from the time the title is publicly listed in the Registry).
  3. Delay or condition acceptance of the modified settlement agreement until the Unclaimed Works Fiduciary and the Registry set standards designed to further reduce the volume of unclaimed works after expiration of the waiting period.
  4. With respect to out-of-print works, at the expiration of the mandatory waiting period, require a reasonably diligent search for the rightsholder by either Google or the Registry, and public disclosure of the results of that search, before the opt-out provisions can apply to the exploitation of new commercial products.
  5. Qualify the definition of “Book” in ASA § 1.19 with respect to foreign rightsholders to capture those books that are (1) “United States work[s]” as defined in 17 U.S.C. § 101 and registered with the U.S. Copyright Office, or (2) if first published in Canada, the UK, or Australia, were also published in the United States at a later date or registered with the U.S. Copyright Office.
  6. Limit exploitation to a defined term, such as five or ten years, after which period the marketplace could be reassessed. At the end of this limited license term, renewal of the license could be negotiated by the Registry; or the Court could retain jurisdiction over the case for the sole purpose of reviewing whether the term should be extended or revised upon its expiration.
  7. Make the parties agree to comply with the terms of any copyright legislation enacted in the future governing areas addressed by the modified settlement agreement.
  8. Examine whether there exists a means for rival distributors to access orphan and rights-uncertain works consistent with Rule 23.

publishing attorneys

80′s hit “Down Under” infringes “Kookaburra,” Australian Fed Court

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Filed under Australia, Music

In early August, I mentioned a case Larrikin Music Publishing Pty Ltd v EMI Songs Australia Pty Limited pending in the Federal Court of Australia in Sydney.  To briefly review, Larrikin, an Australian music publisher, alleged that the 1980s hit “Down Under” infringed it’s copyright in the round “Kookaburra Sits in the Old Gum Tree.” At the time, the Court found that Larrikin was the rightsholder of “Kookaburra,” and the original author had not assigned the song to the Victorian Girl Guides in 1932.

The Honourable Justice Jacobson found yesterday (Larrikin Music Publishing Pty Ltd v EMI Songs Australia Pty Limited [2010] FCA 29) that “Down Under” infringed “Kookaburra,” and that Larrikin was also entitled to recover damages for the infringment under the Fair Trading Act. The Court schedule proceedings on damages but noted that Larrikin’s claim to be entitled to 40-60% of the income of “Down Under” “grossly over-reache[d] a proper allocation of any such entitlement.”

Infringement

A plaintiff under the Australian Copyright Act must show that a defendant copied a “substantial part” of her work. The Court found that “Down Under” was infringing because a qualitatively important part of the song was appropriated and that, “although the question of quantity is secondary to that of quality, it is worthwhile noting that two of the four bars or phrases of “Kookaburra” have been reproduced in Down Under (or 50% of the song).” The Court noted that “Kookburra” was a simple work, but had sufficient originality to be granted copyright protection, and that the appropriation merited a finding of infringement.

International Copyright Representation

Hypothetical license appropriate measure of actual damages even if parties unlikely to enter license

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Filed under Damages

Oracle USA, Inc. v. SAP AG, 2010 WL 334446 (N.D. Cal. 2009)

Oracle brought a copyright infringement suit against SAP seeking, among other things, actual damages. Title 17 Section 504 of the Copyright Act provides that a plaintiff may recover either statutory damages, or “the actual damages suffered by [the copyright owner] as a result of the infringement” and “any profits of the infringer that are attributable to the infringement and are not taken into account in computing the actual damages.” The Ninth Circuit, the Court noted, uses a fair market value retroactive license fee as one measure of actual damages.

SAP moved for a summary judgment ruling that Oracle could not pursue damages  in the form of a hypothetical license. SAP argued that, if it were not for the infringement, the arch-rivals would not have entered into a licensing agreement. The Northern District of California (Hamilton, J.) denied SAP’s motion, and allowed Oracle to present evidence regarding the market value of the license. Stated the Court, “The question is not what Oracle would have charged for a license, but what is the fair market value.”

copyright litigation attorneys

On Salinger v. Colting

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Filed under Parody, Preliminary Injunction

Tamera Bennett has posted an update on her blog on Salinger v. Colting. The case, currently on appeal in the Second Circuit, was being looked to as potentially providing a gloss on the test for parody, and the standard for obtaining a preliminary injunction in copyright cases. The plaintiff in the case, author J.D. Salinger, passed on January 27. My condolences go out to the family and friends of the late author. Ms. Bennett points to Federal Rules of Civil Procedure Rule 25 for what happens next in the case:

If a party dies and the claim is not extinguished, the court may order substitution of the proper party. A motion for substitution may be made by any party or by the decedent’s successor or representative. If the motion is not made within 90 days after service of a statement noting the death, the action by or against the decedent must be dismissed.

copyright litigation attorneys

First Circuit: Copyright Act does not preempt termination of license under NY contract law

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Filed under Licensing, Music, Preemption, Termination

Latin American Music Co. v. American Society Of Composers Authors And Publishers, 2010 WL 324526 (1st Cir. 2010)

The First Circuit (Torruella, Baldock, Howard writing) addressed what is to my knowledge a novel issue concerning the requirement that a transfer of ownership must be in writing. Caballo Viejo, which translates to “Old Horse,” is a popular folk song in Venezuela. In September 1981, the composer of Caballo Viejo granted exclusive rights in the song to a predecessor of a predecessor of ASCAP. A predecessor of ASCAP (which obtained the rights from the predecessor of the predecessor, got that?) transferred exclusive rights in the song to a predecessor of Latin American Music Company in 1982. The contract between the predecessor of ASCAP and the predecessor of Latin American Music Company, which was formed in New York, did not specify a termination date, the conditions under which the exclusive license could be terminated, or the manner in which the license could be terminated.

A dispute arose between ASCAP and Latin American Music Company over copyright ownership. ASCAP claimed that it was the actual owner of the song because its predecessor had terminated the 1982 contract granting exclusive rights to Latin American Music Company. The only testimony presented at trial on the issue was a deposition of the president of ASCAP’s predecessor, stating that he had terminated the 1982 agreement with Latin American Music Company’s predecessor during a conversation with the counterparty’s president.

The First Circuit stated that New York law provides that  an agreement of this type “remains in force for a reasonable time and is subject to termination upon reasonable notice. Italian & French Wine Co. of Buffalo, Inc. v. Negociants U.S.A., Inc., 842 F.Supp. 693, 699 (W.D.N.Y.1993) (“[W]ell-settled New York law [ ] provides that a contract with no stated duration is terminable only after a reasonable duration and after reasonable notice is given.”); see also Laugh Factory, Inc. v. Basciano, 608 F.Supp.2d 549, 556 (S.D.N.Y.2009); Rogers v. HSN Direct Joint Venture, 1999 U.S. Dist. LEXIS 12111, at * 3 (S.D .N.Y. Aug. 6, 1999).”

On appeal, Latin American Music Company argued that the Copyright Act preempted (conflict preemption) the New York State contract law default rule of termination; that the termination had to be in writing. Title 17 Section 204 of the Copyright Act provides:

(a) A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed or such owner’s duly authorized agent.

Latin American Music Company argued that since it had owned exclusive rights in the song, the termination of the agreement, without a writing, was an invalid transfer of ownership. Since there was no writing, according to Latin American Music Company, there was no transfer.

The Court found that Section 204 did not apply to terminations of copyright ownership under New York State Law:

Section 204, which requires a writing signed by the transferor, however, applies to the transfer or grant of copyright ownership, not to the termination of such a transfer or grant. [Latin American Music Company] cites no case suggesting otherwise, nor are we are aware of any such case. Moreover, extending-204 to the termination of copyright interests would lead to untenable results. A transferee of a copyright interest could effectively veto a lawful termination of that interest by refusing to reconvey that interest to the terminating party under-204. For example, in this case, [Latin American Music Company], the transferee, could have prevented [ASCAP's predecessor in interest] from terminating the exclusive license by simply choosing not to reconvey the license to West Side through either an instrument of conveyance, or a note or memorandum of transfer.
The First Circuit also found that 17 U.S.C. 203 did not preempt the transfer. The Court found that the section only applied to situations where an author or an author’s statutory heirs are terminating a grant.
copyright litigation attorneys

Cal Court of Appeals finds that First Amendment bars right of publicity claims against Rolling Stone

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Filed under First Amendment, Right of Publicity, Unfair Competition

Stewart v. Rolling Stone LLC, 2010 WL 317016 (Cal. App. 1 Dist. 2009)

The California First Appellate District (Marchiano, Margulies, Dondero writing) issued a First Amendment decision in an interesting right of publicity case on Thursday. The class action plaintiffs were a group of one hundred and eighty-six Indie Rock musicians whose band names were featured in a centerfold spread “Indie Rock Universe” in the November 15, 2007 issue of Rolling Stone.

The spread contained five pages of content and four pages of advertisements for Camel cigarettes. The plaintiffs brought three claims against Rolling Stone and R.J. Reynolds: (1) the unauthorized use of name in violation of California Civil Code section 3344, (2) a common law right of publicity claim for unauthorized use of name for commercial advantage, and (3) a claim for unfair competition claim for violation of California Business and Professions Code sections 17200-17203.

At bar, Rolling Stone appealed from the trial court’s order denying its special motion to strike a class action complaint under California’s Anti-SLAPP provisions. Rolling Stone (R.J. Reynolds wasn’t a party on appeal) argued that  there wasn’t a triable issue as to whether the foldout constituted commercial speech, and that the plaintiffs did not present evidence sufficient to establish that they had a probability of prevailing on the merits. The California Court of Appeals agreed and reversed, finding that Rolling Stone was shielded by the First Amendment’s Freedom of Speech and Press protections.

Was the speech commercial? Was clear and convincing evidence of actual malice required?

The trial court found that the foldout was commercial speech on behalf of Rolling Stone because the magazine, through its “layout decision,” published “an allegedly integrated 9-page advertisement” for Camel cigarettes. The trial court found that a trier of fact could conclude that the feature was commercial speech because it was “inextricably intertwined” with the advertisement. The Court of Appeals looked to both the Ninth Circuit’s and California Supreme Court’s tests for commercial speech and found that the speech was non-commercial:
Simply put, there is no legal precedent for converting noncommercial speech into commercial speech merely based on its proximity to the latter. There is also no precedent for converting a noncommercial speaker into a commercial speaker in the absence of any direct interest in the product or service being sold. We thus conclude that the Feature is noncommercial speech.

The Court of Appeals next looked to New York Times Co. v. Sullivan, 376 U.S. 254, 279-280 (1964)  for the proposition that a “plaintiff who is either a public official or public figure may not recover damages for defamation absent proof that the defendant published defamatory statements with ‘actual malice,’ that is, either with knowledge of their falsity or with reckless disregard for the truth.” The Court of Appeals found that as non-commercial speech the plaintiff needed to show actual malice for the commercial misappropriation claims brought under the common law and Section 3344. The Court dismissed finding that the plaintiff could not present evidence that would surmount the First Amendment defense.

Freedom of Press

The Court of Appeals further found that the plaintiff’s claims were also barred by the First Amendment Freedom of Press protections:

It is well established that “The choice of material to go into a newspaper, and the decisions made as to limitations on the size and content of the paper, and treatment of public issues and public officials-whether fair or unfair-constitute the exercise of editorial control and judgment. It has yet to be demonstrated how governmental regulation of this crucial process can be exercised consistent with First Amendment guarantees of a free press as they have evolved to this time.” ( Miami Herald Publishing Co., Division of Knight Newspapers, Inc. v. Tornillo (1974) 418 U.S. 241, 258 [41 L.Ed.2d 730, 94 S.Ct. 2831].) “[T]he courts have long held that the right to control the content of a privately published newspaper rests entirely with the newspaper’s publisher. The First Amendment protects the newspaper itself, and grants it a virtually unfettered right to choose what to print and what not to.” ( Eisenberg v. Alameda Newspapers, Inc. (1999) 74 Cal.App.4th 1359, 1391 [88 Cal.Rptr.2d 802].)

music attorneys